I. Major
Projects/Cycles/Evening-Length Works:
M.f.A. (in progress)
1. terminal_5
(2008) for electronics
(59”)
2. the
shining pillar (CW2) (2008-2009)
for soprano saxophone, prepared piano, and electronics (ca. 8’)
3. l’écume
des jours (int-1) (2007)
for bass clarinet and percussion (ca. 4-4’30)
4. new work for Paetzold contrabass
recorder, bass clarinet, baritone saxophone, harp, piano, and percussion (ca.
11-12’)
5. int-1
x V,[3] (version II) (2008)
for solo bass recorder and auxiliary percussion (ca. 5')
6. terminal_expansion
(2008) for 4-channel
electronics (7’45
7. various sound installations
·
to
be performed in its entirety by Ensemble Adapter in Berlin
performances of individual
works: The Kenners (the shining pillar (CW2)); Musica Nova
Helsinki performers (l’écume des jours
(int-1)) ; various electracoustic music festivals and venues
Nominal Cycle: 5 works for various chamber formations (2006-2007)
1. xy xy I II III (2006) for cimbalom and 3 percussion (ca. 10’)
2. entartete musik 2 (2005) for viola and percussion (ca. 8’30)
3. En[M]paS(s[e]ant) (2006) for string trio (ca. 9-10')
4. the shining pillar of anti-beauty (int-0) for solo cello (ca. 6-7’)
5. mi(e)S(e)-En-abîMe (version I ) (2006-2007) for bass clarinet, violin, cello, piano, and percussion (ca. 7’)
Noumenal
Cycle: 5 works for various chamber formations and electronics
(2007-2009)
1. mi(e)S(e)-En-abîMe
(version II) (2007)
for mixed ensemble (ca. 7’)
2.
l’écume des jours (int-1) (2007)
for bass clarinet and percussion (ca. 4-4’30)
3.
V, [3] (2007-2008) for voice, Eb clarinet, 10-string guitar,
microtonal percussion, and piano (ca. 10’30)
4.
detritus I (2009) for counter-tenor, trombone,
electric guitar, cello, harpsichord/piano, 2 percussion, electronics, and
video-projection (ca. 13’30-14’)
5.
detritus II (2009) for electronics and
video-projection (8’20)
performances of individual
works:
Nominal:
Françoise
Rivalland/Les Percussions de Strasbourg (xy xy I II III); Ensemble
InAuthentica (entartete musik 2);
Graeme Jennings/Ellen Ruth Rose/Leighton Fong (En[M]paS(s[e]ant)); Séverine Ballon (the shining pillar of anti-beauty (int-0)); sfSound, New York New
Music Ensemble (mi(e)S(e)-En-abîMe I).
Noumenal:
Argento Chamber Ensemble (mi(e)S(e)-En-abîMe II); Musica Nova Helsinki performers (l’écume des jours (int-1)); Ensemble Echoi (l’écume
des jours (int-1), version II);
Ensemble Asamisimasa (V, [3]);
Daniel Gloger/Ensemble Ascolta (detritus I).
II.
Solo Instrument (with or
without electronics):
(W)reflets/reFlexions/implosionS
(2008) for alto
saxophone and 192 loudspeakers (ca. 11-12')
·
premiered
April 2009 by Eliot Gattegno at Scheltema Complex Leiden, NL
· performed
May 2010 by Eliot Gattegno at CNMAT, Berkeley, CA
int-1 x V,[3] (version II) (2008) for solo bass recorder (ca.
4'30-5')
·
to
be premiered by Ensemble Adapter
in Berlin
the shining pillar of
anti-beauty (int-0) (2006)
for solo cello (ca. 6-7')
·
premiered June 2007 by Séverine Ballon at Festival Musiques Démesurées, Clermont-Ferrand, France
·
performed
November 2008 by Séverine Ballon at the Klangraum-Festival,
Stuttgart, Germany
st.wl.-1
(2005) for guitar solo
(ca. 4'30)
·
premiered
May 2005 by Magnus Andersson at Stanford University
·c.é.
iii (2005) for percussion solo (ca. 7')
·
premiered
May 2006 by Matthew Jenkins at Oberlin Conservatory
Cabanes Eclatées (i/ii) (2004) for piano solo (ca. 15-17')
· premiered June 2007 by Pierre Courthiade at Festival Musiques
Démesurées
Reflets/Reflexions/Implosions
(2002/2006) for solo
alto saxophone (ca.12')
·
premiered
August 2006 by Eliot Gattegno at the Darmstadt Summer Courses
· performed
in 2006-2007 by Eliot Gattegno at The Stone (New York, NY) as
well as Stanford, Berkeley, Miami, Michigan, etc.
·
performed
June 2007 by Philippe Caillot at Festival Musiques Démesurées
·
performed
February 2008 by Eliot Gattegno at the Eyedrum, Atlanta, GA
·
performed
February 2008 by Eliot Gattegno at the SCI National Conference, Georgia State
University, Atlanta, GA
·
performed
April 2009 by Eliot Gattegno at Akademie Schloss Solitude, Stuttgart
III. Small Chamber Ensemble (2-4 performers, unconducted):
noyau(x)(CW2CS2) (2009) for 2 soprano or baritone
saxophones and electronics (3
versions: ca. 1’40; ca. 1’08; ca. 36”)
·
premiered
November 2009 by the Campbell/Straus Duo at Lousiana State University;
performed at various venues in Louisiana
the shining pillar (CW2) (2008-2009) for soprano saxophone,
prepared piano, and electronics (ca. 8’)
· to be recorded August 2010 by The Kenners (Eliot Gattegno, saxophone; Eric Wubbels, piano and
electronics) at Amherst College; to be released Autumn 2010 on Spektral Records
· to
be performed by Ensemble Adapter in Berlin
l'écume des jours (int-1),
version II (2008) for
bass flute and percussion (ca. 4’30)
·
premiered
July 2009 by Ensemble Echoi at the Black Box Theater, UC San Diego, CA
l’écume des jours (int-1) (2007) for bass
clarinet and percussion (ca. 4'30)
·
premiered February 2009 at Musica Nova Helsinki
·
to
be performed by Ensemble Adapter in Berlin
En[M]paS(s[e]ant) (2006) for string trio (ca. 9-10')
·
premiered
December 2006 by Graeme Jennings, Ellen Rose and Leighton Fong at CCRMA,
Stanford University
entartete musik 2 (2005) for viola and percussion (ca.
8'30)
·
premiered
May 2007 by Mark Menzies and Nick Terry of Ensemble Inauthentica at Stanford
University
Through a glass darkly (2002) for string quartet (ca. 9-10')
·
rehearsed/recorded
July 2002 at Centre Acanthes by the Arditti Quartet
·
performed
May 2004 by the Formalist Quartet at Stanford University
IV. Medium Chamber Ensemble (4-7 performers, conducted):
detritus I (2009) for counter-tenor, trombone,
electric guitar, cello, harpsichord/piano, 2 percussion, electronics, and
video-projection (ca. 13’30-14’)
· premiered May 2009 by Daniel
Gloger/Ensemble Ascolta at Akademie Schloss Solitude, Stuttgart
V, [3] (2008) for voice, E-flat clarinet,
10-string guitar, microtonal percussion and piano (ca. 10'30-11')
·
to
be premiered by Ensemble Asamisimasa
Mi(e)s(e)-En-abîMe II (2007) for bass clarinet, violin, cello,
piano, percussion (ca 7')
·
premiered April 2010 by Ensemble Argento on the MATA Festival at Le Poisson Rouge, New York, NY
Mi(e)s(e)-En-abîMe I (2006-2007) for bass clarinet,
cello, piano, percussion (ca. 7')
·
premiered
April 2007 by sfSound at CCRMA, Stanford University
·
performed
August 2007 by members of the New York New Music Ensemble at the Wellesley
Composers Conference
·
performed
July 2008 at the Darmstadt Summer Courses
xy xy I II III for cimbalom and percussion trio (2006)
(ca.10')
·
premiered
September 2006 by Les Percussions de Strasbourg (featuring Françoise Rivalland, cimbalom) at the
Royaumont Voix Nouvelles festival (France)
• to be performed Autumn 2010 by TimeTable Percussion (featuring David Shively, cimbalom); New York, NY
il y va d’un certain pas (2004-2005) for bass flute, bass
clarinet, violin, cello, piano and percussion (ca.10'30)
·
premiered
April 2005 by the Ruckus Ensemble at Stanford University
·
performed
June 2005 by Ensemble SurPlus at June in Buffalo (NY)
·
performed
July 2005 by Ensemble SurPlus at Akademie Schloss Solitude
“Dauer, aus Ablauf
gepreßt…” (2003-2004)
for 4 voices and cello (ca. 10')
·
to
be premiered by the Neue Vocalsolisten Stuttgart
V. Large Chamber Ensemble:
blo(o)t
[V, [3] x int-1 (version I)] (2008/2010) for 9-10 performers (ca. 10'30)
·
premiered
June 2008 by Ensemble Modelo62 at Scheltema Complex Leiden, NL
· performed
June 2008 by Ensemble Modelo62 at Barthkapel, The Hague, NL
· performed
June 2010 by Ensemble Modelo62 at Barthkapel
· performed
July 2010 at the Darmstadt Summer Courses
· to be performed October 2010 at Theater Zeebelt, The Hague
VI.
Electroacoustic/Multi-Media/Installations:
detritus
II (2009) for
electronics and video-projection (8’20)
·
presented
May 2010 at CNMAT (UC Berkeley)
detritus | reconstructions (2009): installation for 2 Piezo
speakers, piano, and robot
·
presented
May 2009 on the performance practice
protocol: performing future presences exhibition, Akademie Schloss
Solitude, Stuttgart
réflex_postlude
(2009) for 6-channel
electronics (5’30)
·
broadcast
November 2009 on WOBC (Oberlin) radio
terminal_expansion
(2008) for 4-channel
electronics (7'45)
·
premiered
April 2008 at the Royal Conservatoire, The Hague, NL
·
presented
May 2008 at DNK-Amsterdam, NL
·
presented
March 2009 during SoundLAB VI, Cologne
· presented
May 2009 on the Moving Sounds Festival, Austrian Cultural Forum, NY
· presented
July 2009 at the Aspen Composers Conference concert, Aspen, CO
· presented
August 2009 at the Hipersonica Festival, Sao Paulo, Brazil
(W)reflets/reFlexions/implosionS
(2008) for alto
saxophone and 192 loudspeakers (ca. 12')
·
premiered
April 2009 by Eliot Gattegno at Scheltema Complex Leiden, NL
Music
for the film custody (Tariq Tapa,
dir.) (2005/2008) (ca. 10')
· premiered
February 2008 at the Royal Conservatory, The Hague, NL
· presented
August 2008 at Sonorities Festival/ICMC, Sonic Arts Research Center (SARC),
Belfast, UK
· presented
17-24 October 2008 at In-Sonora Exhibition IV, Madrid